The option to turn off send view meters can be accessed from which panel of the preferences window? Question 5. The Disk meter is only available on HD systems? Question 6. Cache meters are only available in HD systems or a system which has the complete production toolkit installed?
Question 7. Automatic automation thinning values can be set from within which tab of the preferences window? Question 8. Which activity meter shows the current percentage of CPU processing being used for real-time elastic audio calculations and clip gain? Question 9. With a cache value of MB set in the playback engine and 2GB of audio in your timeline, what will your 'Timeline Cached' meter percentage show at?
Finally be careful with big virtual instruments, while it is nice to be able to tweak sounds as and when you like within your sessions, the reality is that virtual instruments are my most common reason of sluggish sessions, instead try to bounce down their output onto a new track and make the instrument track inactive, just like we mentioned above with consolidated regions, the original track will still be there should you need it but using the newly bounced audio will help your sessions run much more smoothly.
If you have had a sluggish system and found the issue from these meters, or have simply learnt something new from this tutorial, please do drop us a message below or say hi on Twitter! Thank you.
Your email address will not be published. Introduction A frequently overlooked element of using Pro Tools, or any other digital audio workstation for that matter, is the processing limit of your system.
Cache Excuse the pun…In this section we will look at the Cache Meters which are available within both HD systems and systems which have the complete production toolkit installed.
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To ensure Pro Tools is running at maximum capacity, close down all other open applications on your computer.
Customize your settings in the Playback Engine window. Open the Playback Engine window. Change the CPU usage limit. Pro Tools will allow you to set allocation at a maximum of 85 percent if your computer only has one processor. However, not all Thunderbolt interfaces are supported on Windows computers, and Thunderbolt 3 peripherals are not backwards-compatible with Thunderbolt 2.
Note also that there are some interfaces, such as the Focusrite Red 4Pre, which can operate natively as Thunderbolt interfaces, but which also have Digilink connectors that allow them to be used as converters for a Pro Tools HDX system. On the plus side, the intensive competition means that audio interfaces are constantly getting better and cheaper, and as a result, sonic differences between them are nothing like as marked as they once were.
This may seem like a strange thing to be worried about, but if your audio interface is going to be in the room you are recording in, it needs to be quiet — and not all interfaces are.
The fans in the Avid HD interfaces, for instance, are pretty noisy; if you are capable you can replace them with a much quieter fan, but of course that will have implications on the warranty.
If the interface is going to end up in a machine room, noise is perhaps unimportant, but what if there are controls on the front panel that cannot be adjusted remotely?
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